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History of taxidermy. Taxidermy, or the process of preserving animal skin together with its feathers, fur, or scales, is an art whose existence has been short compared to forms such as painting, sculpture, and music. The word derives from two Greek words: taxis, meaning order, preparation, and arrangement and derma, meaning skin.
The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as "taxidermy". [ 1 ] The word taxidermy is derived from the Ancient Greek words τάξις taxis (order, arrangement) and δέρμα derma (skin). [ 2 ]
Bison diorama in 2015 after extensive treatments, American Museum of Natural History. The conservation of taxidermy is the ongoing maintenance and preservation of zoological specimens that have been mounted or stuffed for display and study. Taxidermy specimens contain a variety of organic materials, such as fur, bone, feathers, skin, and wood ...
Tales of furry fish date to the 17th-century and later the "shaggy trout" of Iceland. The earliest known American publication dates from a 1929 Montana Wildlife magazine article by J.H. Hicken. A taxidermy furry trout produced by Ross C. Jobe is a specimen at the Royal Museum of Scotland ; it is a trout with white rabbit fur "ingeniously" attached.
The Van Ingen & Van Ingen firm was established by Eugene Van Ingen in the 1890s. He married Adelina (Patti) Wheal, daughter of the Maharaja of Jaipur's horse trainer John Wheal. They had five children, and three sons, DeWet, Botha and Joubert joined their father in the business. Joubert later ran the business until it officially closed in 1995 ...
Rowland Ward. James Rowland Ward 1848–1912. James Rowland Ward (1848–1912) was a British taxidermist and founder of the firm Rowland Ward Limited of Piccadilly, London. The company specialised in and was renowned for its taxidermy work on birds and big-game trophies, but it did other types of work as well. In creating many practical items ...
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There have been attempts to categorise taxidermy in both artistic and scientific terms for over a century. An 1896 review of Montagu Browne’s Artistic and Scientific Taxidermy and Modelling notes that “Any work which will aid in more clearly defining the difference between the art of taxidermy and the trade of taxidermy is to be welcomed.” [1] Stephen T. Asma suggests that natural ...