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For larger decorative pieces, such as wall hangings or window coverings, a work of macramé might be started out on a wooden or metal dowel, allowing for a spread of dozens of cords that are easy to manipulate. For smaller projects, push-pin boards are available specifically for macramé, although a simple corkboard works adequately.
Artist Lucy Telles and large basket, in Yosemite National Park, 1933 A woman weaves a basket in Cameroon Woven bamboo basket for sale in K. R. Market, Bangalore, India. Basket weaving (also basketry or basket making) is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture.
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A hanging basket is a suspended container used for growing decorative plants. Typically they are hung from buildings, where garden space is at a premium, and from street furniture for environmental enhancement. They may also be suspended from free standing frames sometimes called hanging basket trees. One type of hanging basket is the inverted ...
Woven bamboo flower basket (hanakago) for ikebana by Living National Treasure Hayakawa Shōkosai V, at the Kyoto State Guest HouseBamboo weaving (竹編み, takeami) is a form of bambooworking (竹細工, takezaiku) and a traditional Japanese craft (工芸, kōgei), with a range of different applications, weaving styles and appearances.
Kete are traditional baskets made and used by New Zealand's Māori people. [1] They are traditionally woven from the leaves of New Zealand flax called harakeke and have two handles at the top. [ 2 ] Other materials are sometimes used, including sedge grass or the leaves of the nikau palm and cabbage tree .
The Tonga live in an area prone to drought and poverty, and the basket making helped the women feed their families. Traditionally, the baskets were (and still are) used for carrying maize or sorghum from the fields and then winnowing the grain. Traditional designs includes stripes, a spider web type pattern and a lightning pattern.
The style of the boxes was very much aimed at the demand of the European market, boxes imitated traditional English forms such as jewellery boxes, sewing baskets and writing boxes. Although porcupine quill boxes were originally made for English residents, by the late 19th century there was a thriving commercial export trade.
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