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Archibald Motley painting Blues (1929). The Chicago Black Renaissance (also known as the Black Chicago Renaissance) was a creative movement that blossomed out of the Chicago Black Belt on the city's South Side and spanned the 1930s and 1940s before a transformation in art and culture took place in the mid-1950s through the turn of the century.
Archibald John Motley, Jr. (October 7, 1891 – January 16, 1981), [1] was an American visual artist. Motley is most famous for his colorful chronicling of the African-American experience in Chicago during the 1920s and 1930s, and is considered one of the major contributors to the Harlem Renaissance, or the New Negro Movement, a time in which African-American art reached new heights not just ...
Robert Scott Duncanson, Landscape with Rainbow c. 1859, Hudson River School, Smithsonian American Art Museum, Washington, DC.. This list of African-American visual artists is a list that includes dates of birth and death of historically recognized African-American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting ...
Sanford was part of the Second Wave (1941-1960) of the Chicago Black Renaissance of African-American artists [1] and embraced a wide range of styles and influences. An expressionist until 1945, Sanford was clearly influenced by and followed Pablo Picasso 's cubism in his paintings, then switched to abstract expressionism for 18 years.
A new art exhibit at the Spelman College Museum of Art reimagines Renaissance-era creation stories with Black religions and history at the center.
Renaissance art largely excluded Black people, even as it emerged during the early phases of the transatlantic slave trade which ultimately brought 10.7 million African men, women and children to ...
In 1922, Genevieve Forbes took Tribune readers on an armchair tour of Chicago’s demimonde. She regularly covered crime and high society, but it was a slow news day. So she wrote about black and ...
Chicago's black arts movement came to rival the vibrancy seen in New York's Harlem Renaissance, and Sebree benefited from connections with artists such as Margaret Taylor-Burroughs and Eldzier Cortor, as well as the network of support created through affiliations with such institutions as the South Side Community Arts Center and the Art Institute.