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Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3]
Pioneers of Philippine Art showcases the 100 years of Philippine art from the late 19th century to the 20th century in the works of three famous Filipino artists namely Juan Luna, Fernando Amorsolo and Fernando Zobel. [19] Paintings of Amorsolo includes Palay Maiden (1920), Maiden with Lanzones (1924), Maiden in a Flower Garden (1948), Portrait ...
Apart from its overall look, the house is also a repository of art finds collected by the owner-curator Ramon Hofileña and his family. The second floor is a gallery of over 1,000 art treasures, featuring the paintings and sketches of national artists Juan Luna , Felix Resurrecion Hidalgo , Fernando Amorsolo , Ang Kiukok , Vicente Manansala ...
Sylvia Amorsolo-Lazo (born 1943) is a Filipino painter and the president of the Fernando C. Amorsolo Foundation. [1] She is the daughter of Fernando Amorsolo , Philippine 's first national artist. She is one of the five siblings who followed in her father's footsteps and became painters.
Amorsolo, Fernando (1892–1972) Amorsolo, Pablo (1898–1945) Ancheta, Isidro (1882–1946) Antonio, Angelito (born 1939) Antonio, Marcel (born 1965)
The painting is currently located fronting the entryway of the residence. [5] It sits alongside a Fernando Amorsolo painting, also of the princess, commissioned by Governor Conrado Estrella, the first governor to actually hold residence in Urduja House.
A painting by British artist George Stubbs is expected to sell for up to £2 million ($2.5 million) in London next week, as it comes to auction for the first time in more than 50 years.. The 18th ...
Paintings he saw dealt with similar themes and were done in a limited technique that mostly followed the works of Fernando Amorsolo, the first Philippine national artist and the most popular painter of the time. He recognized that there was no creativity whatsoever, and that the artists of that time were merely "copying" each other.
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