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The clave rhythm and clave concept have been used in some modern art music ("classical") compositions. "Rumba Clave" by Cuban percussion virtuoso Roberto Vizcaiño has been performed in recital halls around the world. Another clave-based composition that has "gone global" is the snare drum suite "Cross" by Eugene D. Novotney.
Pair of claves. The most fundamental rhythmic element in salsa music is a pattern and concept known as clave.Clave is a Spanish word meaning 'code,' 'key,' as in key to a mystery or puzzle, or 'keystone,' the wedge-shaped stone in the center of an arch that ties the other stones together. [2]
The tresillo pattern is the rhythmic basis of the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz. [2] [3]Tresillo-based tumbao from "Alza los pies Congo", by Septeto Habanero (1925).
The other is held by the dominant hand at one end with a firmer grip, much like how one normally holds a drumstick. With the end of this clave, the player strikes the resting clave in the center. [6] Traditionally, the striking clave is called el macho ("the male") and the resting clave is called la hembra ("the female"). This terminology is ...
The contradanza included many of the traits that are shown in the son, such as duets with melodies in parallel thirds, the presence of a suggested clave rhythm, implicit short vocal refrains borrowed from popular songs, distinctive syncopations, as well as the two-parts song form with an ostinato section. [17]
Many salsa pianists are alarmed when they first study timba and encounter measures that either contradict the clave or fail to mark it decisively. It is an understandable concern, because when dealing with tumbaos whose rhythm patterns last only one clave, that rhythm either marks the clave or it doesn't.
Bo Diddley beat takes its name from Bo Diddley and his eponymous song. The Bo Diddley beat is a syncopated musical rhythm that is widely used in rock and roll and pop music. [1] [2] [3] The beat is named after rhythm and blues musician Bo Diddley, who introduced and popularized the beat with his self-titled debut single, "Bo Diddley", in 1955.
Rumba clave in duple-pulse and triple-pulse structures. Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. [1] In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. [2]