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It is also an accompanying instrument in vocal works. The lute player either improvises ("realizes") a chordal accompaniment based on the figured bass part, or plays a written-out accompaniment (both music notation and tablature ("tab") are used for lute). As a small instrument, the lute produces a relatively quiet sound. The player of a lute ...
The lautenwerck (also spelled lautenwerk), alternatively called lute-harpsichord (lute-clavier) or keyboard lute, is a European keyboard instrument of the Baroque period. It is similar to a harpsichord , but with gut (sometimes nylon ) rather than metal strings (except for the 4-foot register on some instruments), producing a mellow tone.
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body". [1]The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo ...
In the Hornbostel-Sachs classification system, lutes are designated as '321'. 321 : Instruments in which the strings run in a plane parallel to the sound table ( lutes ) For the western lute, see Category:Lutes .
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The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, [2] and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, [3] with perfect fourths surrounding a third in the middle for the first ...
The Guitarra morisca or Mandora medieval is a plucked string instrument.It is a lute that has a bulging belly and a sickle-shaped headstock. Part of that characterization comes from a c. 1330 poem, Libro de buen amor by Juan Ruiz, arcipestre de Hita, which described the "Moorish gittern" as "corpulent". [1]
The first mention of a theorbo in France was in 1637, and by the 1660s it had replaced the 10-course lute as the most popular accompanying instrument. [3] The theorbo was a very important continuo instrument in the French court and multiple French theorbo continuo tutors (method books) were published by Delair (1690), Campion (1716 and 1730 ...