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Paul Francis Webster (December 20, 1907 – March 18, 1984) [1] was an American lyricist who won three Academy Awards for Best Original Song, and was nominated sixteen times for the award. Life and career
Paul F. Webster (born 20 February 1954 [1]) is a British journalist who has been the editor of The Observer since 2018. [2] He was previously the deputy editor of The Observer [ 3 ] for 20 years under Will Hutton , Roger Alton , and John Mulholland , and before that, the foreign and home editor of The Guardian .
Paul Webster may refer to: Paul Webster (jazz) (1909–1966), American big band musician; Paul Webster (journalist) (born 1954), British journalist, editor of The Observer; Paul Webster (producer) (born 1952), British film producer; Paul Francis Webster (1907–1984), American lyricist; Paul Webster, character in the 1959 film The Alligator People
Paul Francis Webster (August 24, 1909 - May 6, 1966) was a jazz trumpeter in the big band era. He was a high-note specialist for Jimmie Lunceford 's band, and later played in several other big bands.
Butoh dancer Yoshiyuki Takada was performing The Dance of Birth and Death with a Tokyo artistic troupe, on the side of Seattle's Mutual Life building. His rope broke, and he fell six stories to his death. [34] Italian actor Claudio Cassinelli died on the set of Sergio Martino's Vendetta dal futuro in Page, Arizona.
Paul Webster (2018–2024) [33] Lucy Rock (acting) (November 2024-Present) ... for The Observer from 1949 to the last photo she took a few months before her death in ...
Webster was executive producer, along with Robert Redford and Rebecca Yeldham, of the 2004 film The Motorcycle Diaries, directed by Walter Salles, based on Che Guevara's book The Motorcycle Diaries. Webster was nominated for an Academy Award for Best Picture for the 2007 film Atonement , for which he was also nominated for a BAFTA in the ...
The Alligator People is a 1959 American CinemaScope science-fiction horror film directed by Roy Del Ruth. [2] It stars Beverly Garland, Bruce Bennett, and Lon Chaney Jr. This film was the penultimate feature directed by Del Ruth, and quite different from those of his days at Warner Bros. [3] [4] [5]