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Ritz Camera was the first chain photofinishers to offer 4×6 prints from 35mm film, as well as free bordered prints, as standard. Ritz Camera is also the first national chain to offer 4.5×6, commonly known as 6D, prints. Unlike the traditional 4×6 prints used for film, Ritz's 6D prints reflect the different aspect ratio of 4:3 digital images ...
The film format is similar to the super 8 mm format, but without the Polavision tabletop viewer the only way a Polavision film can be shown is by destroying the cartridge and projecting the removed film with an ordinary super 8 mm projector or transferring it to video with a telecine system.
UN54, Universal Negative Film 100 ISO, Panchromatic medium speed black-and-white negative camera film for both outdoor and indoor usage. Formats: 16mm/35mm, 122m/400 ft (16mm/35mm) on core and 305m/1000 ft on core (35mm). [17] N75, Negative film 400 ISO, High speed black-and-white panchromatic camera film for both outdoor and indoor usage.
Telecine enables a motion picture, captured originally on film stock, to be viewed with standard video equipment, such as television sets, video cassette recorders (VCR), DVD, Blu-ray or computers. Initially, this allowed television broadcasters to produce programs using film, usually 16-mm stock , but transmit them in the same format, and ...
Adox was a German camera and film brand of Fotowerke Dr. C. Schleussner GmbH of Frankfurt am Main, the world's first photographic materials manufacturer. In the 1950s it launched its revolutionary thin layer sharp black and white kb 14 and 17 films, referred to by US distributors as the 'German wonder film'. [1]
Pair of Arrilaser film recorders. A film recorder is a graphical output device for transferring images to photographic film from a digital source. In a typical film recorder, an image is passed from a host computer to a mechanism to expose film through a variety of methods, historically by direct photography of a high-resolution cathode-ray tube (CRT) display.
The use of transparency film declined in the 1980s and 1990s, which, combined with competition from Fuji's Velvia slide film, caused a drop in Kodachrome sales. [8] Some business analysts speculated that heavy subsidies by the Japanese government propped up Fuji and may have even allowed dumping of Fuji's films at below the cost to manufacture ...
In addition to the equipment already found in a film-based movie theatre (e.g., a sound reinforcement system, screen, etc.), a DCI-compliant digital cinema requires a DCI-compliant [32] digital projector and a powerful computer known as a server. Movies are supplied to the theatre as a set of digital files called a Digital Cinema Package (DCP ...
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