Search results
Results from the WOW.Com Content Network
During the late 1920s to mid-1930s, small portable PA systems and guitar combo amplifiers were fairly similar. These early amps had a "single volume control and one or two input jacks, field coil speakers" and thin wooden cabinets; remarkably, these early amps did not have tone controls or even an on-off switch. [14]
Computer speakers, or multimedia speakers, are speakers sold for use with computers, although usually capable of other audio uses, e.g. for an MP3 player. Most such speakers have an internal amplifier and consequently require a power source, which may be by a mains power supply often via an AC adapter , batteries, or a USB port.
A speaker L pad is a special configuration of rheostats used to control volume while maintaining a constant load impedance on the output of the audio amplifier. [1] It consists of a parallel and a series rheostat connected in an "L" configuration.
An ICD is the umbrella document over the system interfaces; examples of what these interface specifications should describe include: The inputs and outputs of a single system, documented in individual SIRS (Software Interface Requirements Specifications) and HIRS (Hardware Interface Requirements Specifications) documents, would fall under "The Wikipedia Interface Control Document".
Constant-voltage speaker systems are also commonly referred to as 25-, 70-, 70.7-, 100 or 210-volt speaker systems; distributed speaker systems; or high-impedance speaker systems. In Canada and the US, they are most commonly referred to as 70-volt speakers. In Europe, the 100 V system is the most widespread, with amplifier and speaker products ...
Related: 16 Games Like Wordle To Give You Your Word Game Fix More Than Once Every 24 Hours We'll have the answer below this friendly reminder of how to play the game .
The first presence control on a Fender amplifier, for example, appeared in 1954 on the Twin. In 1955 it appeared on the 1/15 Pro-Amp, the 3/10 Bandmaster, the 2/10 Super, [4] and the 4/10 Bassman. [5] The original Fender presence control acted upon the amplifier's negative-feedback loop.
For movie soundtracks this reference volume level is an industry standard [4] and can be used by manufacturers to provide a loudness feature that works with a reasonable degree of accuracy. A home theater product that provides a reference level indication on the volume control can be expected to work well with movie soundtracks.