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Synthwave (also called outrun, retrowave, or futuresynth [5]) is an electronic music microgenre that is based predominantly on the music associated with action, science-fiction, and horror film soundtracks of the 1980s. [2] Other influences are drawn from the decade's art and video games. [3]
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The band was formed as a result of Lyle and McEwan meeting during a co-writing workshop in 2012 in North Hollywood, CA. [2] [3] Inspired in part by the score for Drive, and the retro synth genre growing around its release, [3] the pair wrote two singles, "WeMoveForward" and "Gloria", that would be released two years later in 2014 as part of their debut EP titled Days of Thunder.
"The Video Game Champion" is a collaboration with the guitarist Thomas McRocklin, while "Ghost" is a collaboration with Melbourne synthwave duo Power Glove. The single "Monster in Paradise" features saxophonist Tim Cappello and vocals from Milkie Way, lead singer of Wargasm. A full list of collaborators on each album follows.
Perturbator released his fourth full-length album The Uncanny Valley on 6 May 2016 through Blood Music on a range of formats including Digibook CD, vinyl, and cassette tape. The album was met with generally positive reviews, with MetalSucks and Bloody Disgusting both writing in praise of it.
Sovietwave (also styled Soviet wave [1] or Soviet-wave [2]) is a subgenre of synthwave music and accompanying Internet aesthetic which originates from the former Soviet Union, primarily Russia.
Power Glove is an Australian electronic music and synthwave duo from Melbourne, Victoria, named after the Power Glove made by Mattel for the Nintendo Entertainment System. They provided the soundtrack to the 1980s-influenced retro-futuristic video game Far Cry 3: Blood Dragon (April 2013). The soundtrack was met with critical acclaim. [1] [2]
Tom Andersson (born 26 September 1984), known professionally as Waveshaper, is a Swedish electronic musician [1] specialising in synthwave.Inspired by artists like Jean-Michel Jarre, Kraftwerk and Daft Punk, as well as 80s movie soundtracks, his music is retrofuturistic and is composed with a variety of hardware synthesizers, including the ARP 2600, Roland Jupiter-4, and Korg MS-20. [2]