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"Days Like This" is a song written by Northern Irish singer-songwriter Van Morrison and the title song of his 1995 album of the same name. Morrison has often performed this song in concert appearances,and it has become one of his most popular songs from his later years.
Days Like This is the twenty-third studio album by Northern Irish singer-songwriter Van Morrison, released in 1995 (see 1995 in music). It is a diverse group of songs offering a variety of moods and styles. It ranked No. 5 on the UK album charts and was nominated for the Mercury Prize.
Live at the Grand Opera House Belfast is a live album by Northern Irish singer-songwriter Van Morrison, released in 1984. It was recorded from four live shows in March 1983 at the Grand Opera House, Belfast, Northern Ireland (Morrison's birthplace). The album was composed of songs from Morrison's last four recordings. [3]
Days Like This may refer to: Days Like This (Van Morrison album), 1995; Days Like This (Krezip album), 2002 "Days Like This" (Van Morrison song), 1995 "Days Like This", a song by Sheena Easton on The Lover In Me, 1989 "Days Like This" (Rachel Proctor song), 2003 "Days Like This" 2023 song by Martin Jensen and Jay Sean
In 2012, Paste compiled a list of covers by Glen Hansard, Jeff Buckley, The Doors, Tom Petty and the Heartbreakers, Elvis Costello, Ben E. King, Solomon Burke, Michael Bublé, Sinéad O'Connor and Bruce Springsteen as their pick of the 10 Best Covers of Van Morrison Songs.
Hymns to the Silence is the twenty-first studio album by Northern Irish singer-songwriter Van Morrison.It was his first studio double album.Morrison recorded the album in 1990 in Beckington at The Wool Hall Studios and in London at Townhouse and Westside Studios.
Biographer Clinton Heylin believes the songs "'Vanlose Stairway' and 'She Gives Me Religion' [were] perhaps Morrison's most captivating love songs since the days of Veedon Fleece." [ 5 ] " Cleaning Windows " is about Morrison's first full-time job and the last carefree days of his adolescence in the years 1961 to 1962, and is a metaphor for the ...
Featuring the songs of Mose Allison, the performers were Allison himself, Georgie Fame, Ben Sidran, and Van Morrison, a longtime admirer of Allison's work. The horns were arranged by Pee Wee Ellis. Morrison said he had wanted to make the record for a long time. [1] Liner notes are by Ben Sidran.