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Three Colours: White (French: Trois couleurs: Blanc, Polish: Trzy kolory: Biały) is a 1994 arthouse psychological comedy-drama film co-written, produced and directed by Krzysztof Kieślowski. [ 3 ] [ 4 ] White is the second in the Three Colours trilogy , themed on the French Revolutionary ideals , following Blue and preceding Red .
A symbol common to the three films is that of an underlying link or thing that keeps the protagonist linked to their past. In the case of Blue, it is the lamp of blue beads, and a symbol seen throughout the film in the TV of people falling (doing either sky diving or bungee jumping); the director is careful to show falls with no cords at the beginning of the film, but as the story develops the ...
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It is the first instalment in the Three Colours trilogy, themed on the French Revolutionary ideals of liberty, equality and fraternity, followed by White and Red (both 1994). According to Kieślowski, the subject of the film is liberty, specifically emotional liberty, rather than its social or political meaning. [2]
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Three Colours: Red (French: Trois couleurs: Rouge, Polish: Trzy kolory: Czerwony) is a 1994 drama film co-written, produced and directed by Polish filmmaker Krzysztof Kieślowski. It is the final installment of the Three Colours trilogy , which examines the French Revolutionary ideals ; it is preceded by Blue and then by White .
Three Colors: White (1994) Three Colors: Red (1994) Professional ratings; Review scores; Source Rating; Allmusic [1] White is the soundtrack to the film Three Colors ...
The building's architecture reflects the transition from Romanesque Revival architecture to Chicago school architecture. [2] The Silversmith Building was listed on the National Register of Historic Places in 1997. [1] It became a member of the National Registry of the Historic Hotels of America in 2016. [3]