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Rita Tushingham (born 14 March 1942) is a British actress. She is known for her starring roles in films including A Taste of Honey (1961), The Leather Boys (1964), The Knack ...and How to Get It (1965), Doctor Zhivago (1965), and Smashing Time (1967).
A Taste of Honey is a 1961 British New Wave drama film directed by Tony Richardson and starring Rita Tushingham, Dora Bryan, Robert Stephens and Murray Melvin. [6] It is an adaptation of the 1958 play of the same name by Shelagh Delaney.
Rita Tushingham: Nominated Best Cinematography, Black and White: David Watkin: Nominated Most Promising Newcomer: Michael Crawford: Nominated Cannes Film Festival: 3 – 16 May 1965: Palme d'Or: Richard Lester Won [13] Golden Globe Awards: 28 February 1966: Best Actress – Comedy or Musical: Rita Tushingham Nominated [16] Best Foreign Film ...
The Leather Boys is a 1964 British drama film directed by Sidney J. Furie and starring Rita Tushingham, Colin Campbell, and Dudley Sutton.The story is set in the very early 60s Ton-Up boys' era, just before the rocker subculture in London and features a gay motorcyclist.
The Radio Times Guide to Films gave the film 4/5 stars, writing: "Made at the height of the Swinging Sixties, this surprisingly moving drama was a distinct change of pace for stars Oliver Reed and Rita Tushingham. Set in Canada in the 1880s, it traces the relationship of fur trapper Reed and the waif-like Tushingham, a mute he purchases at a ...
No Strings is a British television sitcom which aired on BBC1 in one series of six episodes in 1974. [1] Written by Carla Lane, it was spun-off from an episode of the Comedy Playhouse screened in April of the same year.
First married in 1988, actors, entertainers and producers Tom Hanks and Rita Wilson have had a lasting Hollywood romance, proving that even the most ideal relationship isn't limited to what fans ...
Film critic Alexander Walker wrote in Hollywood England that it was a film "whose crude exploitation of [Lynn Redgrave and Rita Tushingham] once more as innocents-at-large in the big city was to show how coarse and knowing the freshness of the cinema had turned once Britain was 'swinging' and the movies had to swing with it".
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