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As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain, though a performance at Wilton House in 1603 (the house having been a focus for literary activity under Mary Sidney for much of the later 16th century) has been suggested as a possibility.
Rosalind is the heroine and protagonist of the play As You Like It (1600) by William Shakespeare.In the play, she disguises herself as a male shepherd named Ganymede. Many actors have portrayed Rosalind, including Sarah Wayne Callies, Maggie Smith, Elisabeth Bergner, Vanessa Redgrave, Helena Bonham Carter, Helen Mirren, Patti LuPone, Helen McCrory, Bryce Dallas Howard, Adrian Lester and ...
The daughter of Duke Senior. Rosalind, considered one of Shakespeare's most delightful heroines, is independent-minded, strong-willed, good-hearted, and terribly clever. Rather than slink off into defeated exile, Rosalind resourcefully uses her trip to the Forest of Ardenne as an opportunity to take control of her own destiny.
Sophie Stewart played Celia in a 1936 film, Rosalind Knight in the 1963 UK television series, Angharad Rees in the 1978 BBC version of the play directed by Basil Coleman, and Romola Garai in the 2006 production directed by Kenneth Branagh. In a 1985 production by the Royal Shakespeare Company (RSC), Celia was played by Fiona Shaw. [1]
Rosalind (As You Like It), a fictional character in William Shakespeare's play As You Like It; Rosalind, the object of Colin Clout's love in Edmund Spenser's poem The Shepheardes Calender "Rosalind", a poem by Alfred, Lord Tennyson; Rosalind, a play by J. M. Barrie
As You Like It is a 1936 British romantic comedy film directed by Paul Czinner and starring Laurence Olivier as Orlando and Elisabeth Bergner as Rosalind. [2] It is based on William Shakespeare's play of the same name. It was Olivier's first performance of Shakespeare on screen.
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The first says the play was "acted by the King's Majesty's servants at the Globe"; the second version omits the mention of the Globe Theatre, and prefaces the play with a long epistle that claims that Troilus and Cressida is "a new play, never staled with the stage, never clapper-clawed with the palms of the vulgar".