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King Pandora (French: Le Roi Pandore) is a 1950 French comedy film directed by André Berthomieu and starring Bourvil, Mathilde Casadesus and Paulette Dubost. [2] [3] It was a sizeable box office hit. [4] It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art director Raymond Nègre.
On review aggregator website Rotten Tomatoes, the film has an approval rating of 90%, based on ten reviews, with an average rating of 6.33/10. [6] On Metacritic, which assigns a normalized rating, the film has a score of 59 out of 100, based on 7 critics, indicating "mixed or average reviews".
The first issue titled La Femme libre bore the subtitle Apostolat des femmes (Apostolate of women) but did not include a publication date. It consisted of eight pages, including the cover. There was a single article, titled "Appel aux femmes" (Call to women), organized into three parts, each signed with a first name.
The King (French: Le roi) is a 1936 French comedy film directed by Pierre Colombier and starring Victor Francen, Raimu and Gaby Morlay. [1] King Jean IV of Cerdagne visits Paris to sign an important treaty where he becomes involved with an actress and a dishonest Senator. The film's sets were designed by the art director Jacques Colombier.
It is also known with the lyrics "le roi, la reine et le petit prince" (the king, the queen, and the little prince) and "Puisque c'est comme ça" rather than "Puisque c'est ainsi" (both "because it's like this" or "since this is how it is"). This song is used to teach the days of the week to children in French.
Cherchez la femme (French: [ʃɛʁʃe la fam]) is a French phrase which literally means 'look for the woman'. It is a cliche in detective fiction , used to suggest that a mystery can be resolved by identifying a femme fatale or female love interest.
They claimed equality of rights and participated in the abundant literary activity, such as Claire Démar's Appel au peuple sur l'affranchissement de la femme (1833), a feminist pamphlet. On the other hand, Charles Fourier's Utopian Socialist theory of passions advocated "free love."
The Female (French: La femme et le pantin, lit. 'The Woman and the Puppet', Italian: Femmina), released in the United Kingdom and the Philippines as A Woman Like Satan, is a 1959 drama film directed by Julien Duvivier. It is the fourth film adaptation of the 1898 novel La femme et le pantin by Pierre Louÿs.