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Frederic Leighton, 1st Baron Leighton, PRA (3 December 1830 – 25 January 1896), known as Sir Frederic Leighton between 1878 and 1896, was a British Victorian painter, draughtsman, and sculptor. His works depicted historical, biblical, and classical subject matter in an academic style. His paintings were enormously popular and expensive ...
Flaming June is a painting by Sir Frederic Leighton, produced in 1895. Painted with oil paints on a 47-by-47-inch (1,200 mm × 1,200 mm) square canvas, it depicts a sleeping woman in a sensuous version of his classicist Academic style. It is Leighton's most recognisable work, and is much reproduced in posters and other media.
Leighton was among a group of some 45 artists invited by Alma-Tadema to aid in the decoration of the atrium of his house in Grove End Road, St John's Wood (Leighton was offered one of Alma-Tadema's own pictures in kind). Each artist was tasked with painting a narrow panel—32 inches high and between 2½ and 8 inches wide—for The Hall of Panels.
Mythological paintings by Frederic Leighton (9 P) Pages in category "Paintings by Frederic Leighton" The following 11 pages are in this category, out of 11 total.
Cymon and Iphigenia is an oil on canvas painting by Frederic Leighton, 1st Baron Leighton. The painting does not bear a date but was first exhibited at the Royal Academy of Arts , London, in 1884. The Art Gallery of New South Wales in Sydney , Australia, purchased it at a Christie's auction in London in 1976.
Perseus and Andromeda is an oil painting by Lord Frederic Leighton. Completed in 1891, the year it was displayed at the Royal Academy of Arts, [2] it depicts the Greek mythological story of Andromeda. [3] [4] In contrast to the basis of a classical tale, Leighton used a Gothic style for the artwork. [5]
In the Academy exhibition of 1876, with The Daphnephoria, Leighton once more chose a classic theme, for a painting which, by its composition, reminded the critics and lovers of art of the artist's early success with the Cimabue's Madonna, and of his other large processional picture, the Syracusan Bride. [3] The work was painted for Stewart Hodgson.
The Leighton Frescoes were commissioned in 1868 as the central feature of the elaborate decorations of the Victoria and Albert Museum's South Court. The artist of the two enormous works which each measure 10.7 metres across, was Frederic Leighton (1830–1896), one of the most important figures in the late Victorian art world.
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