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Punch, or The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells.Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration.
A portrait of Franklin c. 1746–1750, [Note 3] by Robert Feke widely believed to be the earliest known painting of Franklin [69] [70] Join, or Die, a 1754 political cartoon by Franklin, urged the colonies to join the Seven Years' War in the French and Indian War; the cartoon was later resurrected, serving as an iconic symbol in support of the ...
Clay and Robinson established the tradition of American political satire through cartoon. [12] The cartoons were usually presented as pictorial metaphors with the cartoon's impact being determined by the portrayal of the figures. [13] Robinson's work was sympathetic to the Whig Party, [5] and he was open about his biases. But he worked ...
A political cartoon, also known as an editorial cartoon, is a cartoon graphic with caricatures of public figures, expressing the artist's opinion. An artist who writes and draws such images is known as an editorial cartoonist .
The Entry is a 1789 cartoon that depicted George Washington riding a donkey into New York. It was first distributed during the time of Washington's inauguration as the first president of the United States. Many accounts say it was "hawked on the streets of the capitol".
The formation of an academic study centre dedicated to political and social cartoons was first discussed at the University of Kent, in 1972. Interest in the subject had been revived by a successful cartoon exhibition at the National Portrait Gallery two years earlier, entitled "Drawn and Quartered". Dr Graham Thomas, a lecturer in the ...
Thomas Rowlandson (/ ˈ r oʊ l ən d s ən /; 13 July 1757 – 21 April 1827) [1] was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, Rowlandson produced both individual social and political satires, as well as a large number of illustrations for ...
Harper's Weekly was the most widely read journal in the United States during the American Civil War era of the mid-19th century. [4] [5] Harper's took a moderate editorial position on the issue of slavery prior to the Civil War's outbreak in 1861, earning it the label "Harper's Weakly" by critics.
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