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A revised edition, known as the Nova Bíblia de Jerusalém (cf. New Jerusalem Bible) appeared in 2002. A commission led by the Franciscan Ludovico Garmus produced in 1982 a complete Bible, published by Vozes, and another translation was provided by the Santuário publishing house in the same year.
Casa Publicadora das Assembléias de Deus (CPAD; Portuguese for Publishing House of the Assemblies of God) is a Brazilian Christian publishing house.Its activities officially began in March 1940, when it gave its legal organization in the city of Rio de Janeiro.
The Assembleias de Deus have a non-territorial episcopal polity (called ministério) [4] where each ministério is a directed by a mother church under a pastor-president (also called bishop or apostle in various ministérios) with affiliated congregations and preaching points.
Casa de Dios is a church in Guatemala. [citation needed] The church is led by Pastors Carlos "Cash" Luna and Sonia Luna. As of 2011 Casa de Dios was attended by over 25,000 people. The church services are aired on Enlace TBN's programs "Casa de Dios" and "Noches de Gloria". [1]
Cash Luna was born into a Catholic household. His parents divorced when he was young and he grew up with his mother. At age 20, Luna became a born-again Christian. [1] He studied at the Universidad Francisco Marroquín, where he graduated with cum laude honors and holds a bachelor's degree in Information Systems Management.
God's Comedy (Portuguese: A Comédia de Deus) is a 1995 Portuguese film by João César Monteiro. It is the second part in a trilogy, preceded by Recordações da Casa Amarela (1989) (Recollections of the Yellow House) and followed by As Bodas de Deus (1999) (Houses of God). God is symbolized through the character João de Deus (lit.:
Deus Salve o Rei (English: God Save the King) is a Brazilian telenovela produced and broadcast by TV Globo. It premiered on 9 January 2018, replacing Pega Pega , and ended on 30 July 2018, being replaced by O Tempo Não Para .
It closes the trilogy focused on the character of João de Deus, the protagonist, embodied in a poor devilish human good, with repeated autobiographical references, in a sarcastic and moody style. The intended result is to draw a caricature of someone less virtuous than vicious, author and actor of unqualified comedies in a hypocritical world ...