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In 1529 it was published in Lisboa a translation of Psalms done by Gómez de Santofímia, that had a 2nd edition in 1535. It is quite possible, due to the proximity to Spain, that translations in Spanish were known, such as those of João Pérez de Piñeda, Francisco de Enzinas. Father Jesuit Luís Brandão translated the four Gospels.
Casa Publicadora das Assembléias de Deus (CPAD; Portuguese for Publishing House of the Assemblies of God) is a Brazilian Christian publishing house.Its activities officially began in March 1940, when it gave its legal organization in the city of Rio de Janeiro.
Casa de Dios is a church in Guatemala. [citation needed] The church is led by Pastors Carlos "Cash" Luna and Sonia Luna. As of 2011 Casa de Dios was attended by over 25,000 people. The church services are aired on Enlace TBN's programs "Casa de Dios" and "Noches de Gloria". [1]
Cash Luna was born into a Catholic household. His parents divorced when he was young and he grew up with his mother. At age 20, Luna became a born-again Christian. [1] He studied at the Universidad Francisco Marroquín, where he graduated with cum laude honors and holds a bachelor's degree in Information Systems Management.
God's Comedy (Portuguese: A Comédia de Deus) is a 1995 Portuguese film by João César Monteiro. It is the second part in a trilogy, preceded by Recordações da Casa Amarela (1989) (Recollections of the Yellow House) and followed by As Bodas de Deus (1999) (Houses of God). God is symbolized through the character João de Deus (lit.:
The novel was filmed by Fernando Meirelles (director of The Constant Gardener and Blindness) in 2002 under the same title City of God, with most of the cast from real-life favelas and in some cases, from Cidade de Deus itself. After filming, the producers set up help groups promising to help those involved to build more promising futures.
An armed gang chases after an escaped chicken in a favela called the City of God.The chicken stops between the gang and a young man nicknamed Rocket. In the 1960s, three impoverished, amateur thieves known as the "Tender Trio" – Shaggy, Clipper, and Rocket's older brother, Goose – rob business owners and share the money with the community who, in turn, hide them from the police.
It closes the trilogy focused on the character of João de Deus, the protagonist, embodied in a poor devilish human good, with repeated autobiographical references, in a sarcastic and moody style. The intended result is to draw a caricature of someone less virtuous than vicious, author and actor of unqualified comedies in a hypocritical world ...