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Tā moko is the permanent marking or "tattoo" as traditionally practised by Māori, the indigenous people of New Zealand. It is one of the five main Polynesian tattoo styles (the other four are Marquesan, Samoan, Tahitian and Hawaiian). [1] Tohunga-tā-moko (tattooists) were considered tapu, or inviolable and sacred. [2]
Tattoos are known as batok (or batuk) or patik among the Visayan people; batik, buri, or tatak among the Tagalog people; buri among the Pangasinan, Kapampangan, and Bicolano people; batek, butak, or burik among the Ilocano people; batek, batok, batak, fatek, whatok (also spelled fatok), or buri among the various Cordilleran peoples; [2] [3] [11] and pangotoeb (also spelled pa-ngo-túb ...
Manu Farrarons. Manu Farrarons (born 1967) is a French-born Polynesian tattoo artist.Farrarons' art is a mix of Polynesian styles and designs, mostly Tahitian and Marquesan, which he mixes with Māori and Hawaiian influences.
Indigenous American visual arts include portable arts, such as painting, basketry, textiles, or photography, as well as monumental works, such as architecture, land art, public sculpture, or murals. Some Indigenous art forms coincide with Western art forms; however, some, such as porcupine quillwork or birchbark biting are unique to the Americas.
Tattooing on woman, Easter Island, 1886. As in other Polynesian islands, Rapa Nui tattooing had a fundamentally spiritual connotation. In some cases the tattoos were considered a receptor for divine strength or mana. They were manifestations of the Rapa Nui culture. Priests, warriors and chiefs had more tattoos than the rest of the population ...
Peʻa, Samoan male tattoo. The Peʻa is the popular name of the traditional male tatau (tattoo) of Samoa, also known as the malofie. [1] It is a common mistake for people to refer to the pe'a as sogaimiti, because sogaimiti refers to the man with the pe'a and not the pe'a itself. It covers the body from the middle of the back to the knees, and ...
Whang-od with a tattooed visitor. Whang-od started tattooing at the age of 15, [21] a traditional artform that she learned from her father who was considered a master tattooist in the region. [22] Traditionally, only men with special tattooing ancestry were allowed to learn the art. Whang-od was an exception due to her talent and potential seen ...
In 2003 he switched to traditional instruments, then began to design his own tools. [4] In 2008, as part of the filming of the episode of Lars Krutak 's series Tatoo Hunter dedicated to the Philippines, Elle Festin and her wife Zel traveled to the Kalinga province to meet Whang-od , the last traditional tattoo artist.
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