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The second movement is a tempestuous scherzo (ternary form) in compound duple meter in C minor, the same key as the first movement. Donald Francis Tovey argues that Brahms puts the scherzo in the same key as the first movement because the first movement does not sufficiently stabilize its own tonic and requires the second movement to "[furnish] the tonal balance unprovided for by the end of ...
Compositions in which the beginning only hints at a possible reading of a major key without really establishing it, such as the Brahms Clarinet Quintet, Haydn's two string quartets, Op. 33 No. 1 and Op. 64 No. 2, C. P. E. Bach's Piano Sonata, Wq. 55/3, or the first movement of Alkan's Grande sonate 'Les quatre âges' (all of which are in B ...
List of music students by teacher: C to F; List of music students by teacher: G to J; List of music students by teacher: K to M; List of music students by teacher: N to Q; List of music students by teacher: R to S; List of music students by teacher: T to Z; List of prize-winners of the International Johann Sebastian Bach Competition; List of ...
Photograph of Brahms The following is a list of compositions by Johannes Brahms , classified by genre and type of work. The table is sortable (click on header of " # " column) by opus numbers ( Op. ), works without opus numbers ( W. ), appendix works ( A. ), and uncatalogued works ( A. deest ).
Following Beethoven's precedent, most C minor symphonies of the Romantic period end in C major. Another option is to end in E-flat major (the relative key), as Mahler does in his Second Symphony. Ludwig van Beethoven. Symphony No. 5, op. 67 (1808) Felix Mendelssohn. Symphony No. 1, Op. 11 (1824) Johannes Brahms. Symphony No. 1, Op. 68 (1876 ...
The most prominent members of the conservative circle were Johannes Brahms, Joseph Joachim, Clara Schumann, and the Leipzig Conservatoire, which had been founded by Felix Mendelssohn. Their opponents, the radical progressives mainly from Weimar , were represented by Franz Liszt and the members of the so-called New German School (German ...
Piano Trio in C minor, MWV Q3 (Mendelssohn) Piano Trio No. 1 (Shostakovich) Piano Trio No. 2 (Mendelssohn) Piano Trio No. 3 (Brahms) Piano Trios, Op. 1 (Beethoven) Polonaises Op. 40 (Chopin) Pomp and Circumstance Marches; Popoli di Tessaglia! Prelude and Fugue in C minor, BWV 546; Prelude and Fugue in C minor, BWV 847; Prelude and Fugue in C ...
The finale is in 4/4 time and the key of C major. It contains many rapid range changes as well as a denser texture than the second and third movements prior. [4] The form is ambiguous, but includes elements of a sonata form and a rondo form. [4] The movement is distinct for its 4 contrasting themes, which are each differently scored.