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Chicago (retroactively known as Chicago II) is the second studio album by the American rock band Chicago, released on January 26, 1970, by Columbia Records. Like their debut album, Chicago Transit Authority , it is a double album.
Chicago is an American rock band formed in 1967 in Chicago, Illinois.The self-described "rock and roll band with horns" began as a politically charged, sometimes experimental, rock band and later moved to a predominantly softer sound, generating several hit ballads.
In 1970, less than a year after its first album, the band released a second album, titled Chicago (retroactively known as Chicago II), which is another double-LP. The album's centerpiece track is a seven-part, 13-minute suite composed by Pankow called " Ballet for a Girl in Buchannon ".
The original recording features an electric guitar solo using a wah-wah pedal by Chicago guitarist Terry Kath, and a lead vocal line in the Aeolian mode. [8]According to the recollections of producer James William Guercio and horn player Lee Loughnane, Cetera had to record the vocal while his jaw was still wired together after he had been attacked at a baseball game at Dodger Stadium on May 20 ...
Chicago at Carnegie Hall (also known as Chicago IV) is the first live album, and fourth album overall, by American band Chicago. It was initially released on October 25, 1971 by Columbia Records as a four- LP vinyl box set , and was also available for a time as two separate two-record sets.
"Ballet for a Girl in Buchannon" , also known as "The Ballet" and "Make Me Smile Medley", is a nearly thirteen-minute mini-rock opera/song cycle/suite from Chicago's 1970 album Chicago (also called Chicago II). It was the group's first attempt at a long-format multi-part work.
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A radio-friendly edit of "Make Me Smile" was released as a single in March 1970, becoming the band's first Top 10 record, peaking at number nine on the U.S. Billboard Hot 100 chart. [3] Pulled from the first movement of the "Ballet for a Girl in Buchannon" suite, several changes were made in order to make the song more suitable for radio. [ 4 ]
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