Search results
Results from the WOW.Com Content Network
' song ') [1] [2] [3] is a term for setting poetry to classical music. [4] The term is used for any kind of song in contemporary German and Dutch, but among English and French speakers, lied is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made ...
Art songs have been composed in many languages, and are known by several names. The German tradition of art song composition is perhaps the most prominent one; it is known as Lieder. In France, the term mélodie distinguishes art songs from other French vocal pieces referred to as chansons.
The LiederNet Archive (formerly The Lied, Art Song, and Choral Texts Archive) is a donation-supported web archive of art song and choral texts [1] founded in 1995 [2] by Emily Ezust, an American/Canadian computer programmer and amateur violinist. The website was hosted by the REC Music Foundation from 1996 to 2015.
D 107, Song "Lied aus der Ferne" ['Wenn in des Abends letztem Scheine'] for voice and piano (1814, 1st and 2nd versions) D 108, Song "Der Abend" ['Purpur malt die Tannenhügel'] for voice and piano (1814) D 109, Song "Lied der Liebe" ['Durch Fichten am Hügel'] for voice and piano (1814)
The Lied and Art Song Texts Page Archived 2015-06-22 at the Wayback Machine; The Association of English Singers & Speakers; Free digital scores in the English Art Song section of the OpenScore Lieder Corpus (Public Domain)
A mélodie (French: ⓘ) is a form of French art song, arising in the mid-19th century. It is comparable to the German Lied. A chanson, by contrast, is a folk or popular French song. The literal meaning of the word in the French language is "melody".
It followed the time's ideal of a simple art song in folk style.; he had written in 1782, in an article of the Musikalisches Kunstmagazin magazine, that it was the highest and most difficult objective of a composer to "make a song in true folk spirit" ("ein Lied in wahrem Volksinn zu machen "). His melody for the song, described as swinging and ...
The original author of the music may be Josef Mysliveček. A slightly different version of the aria appears with the text "Il caro mio bene" in a manuscript of Mysliveček's Armida (1779). Cesare Olivieri, Il trionfo della pace [1] between 1772 and 1775 178: 417e "Ah, spiegarti, oh Dio" (Score/Crit. report) Aria for soprano and orchestra (piano ...