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Chemise, linen, c.1790-1810. The Metropolitan Museum of Art Costume Institute: 2009.300.392.. A chemise or shift is a classic smock type of women's undergarment or dress. . Historically, a chemise was a simple garment worn next to the skin to protect clothing from sweat and body oils, the precursor to the modern shirts commonly worn in Western
A fur-trimmed Burgundian gown of the mid-15th century has a V-neck that displays the black kirtle and a band of the chemise. Hair is pulled back in an embroidered hennin and covered by a short veil. Giovanna Tornabuoni and her attendants in Italian fashion of the 1480s. The tight slashed sleeves reveal the full chemise sleeves beneath.
The high-necked chemise of fine linen has ruffles at the wrist, and a linen hood with a veil is worn. Christoph Amberger's Unknown Woman wears a finely pleated partlet or high-necked chemise with a high collar and small ruff beneath her gown. Her close-fitting cap may be similar to that worn by Anne of Cleves under her veil, c. 1545.
Chemise binding, ca. 1460. Chemise binding (chemisette) was a protective cover for a book used between the 12 th and 16 th century. [1] It could be a slip-on sleeve or an overcover attached to the volume, with the fabric protruding beyond the edges of a book allowing for full covering of the volume, thus offering additional protection of a highly valuable object.
A kirtle (sometimes called cotte, cotehardie) is a garment that was worn by men and women in the European Middle Ages.It eventually became a one-piece garment worn by women from the late Middle Ages into the Baroque period.
Her low-necked chemise is just visible above the arched bodice, 1572. Women's outer clothing generally consisted of a loose or fitted gown worn over a kirtle or petticoat (or both). An alternative to the gown was a short jacket or a doublet cut with a high neckline.
The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...
Koslin, Désirée and Janet E. Snyder, eds.: Encountering Medieval Textiles and Dress: Objects, texts, and Images, Macmillan, 2002, ISBN 0-312-29377-1 Kybalová, Ludmila, Olga Herbenová, and Milena Lamarová: Pictorial Encyclopedia of Fashion , translated by Claudia Rosoux, Paul Hamlyn/Crown, 1968, ISBN 1-199-57117-2
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