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This list is sorted by numbers assigned to Stravinsky's works in Helmut Kirchmeyer's K Catalog. The Kirchmeyer-Verzeichnis (shortened as "K") Catalog is an annotated catalog of works by Stravinsky, started in the 1950s originally placed in appendixes of other works about Stravinsky. The first edition of the catalog was published in 2002.
Monteux during his conductorship of Les Ballets Russes, c. 1912. Pierre Benjamin Monteux (pronounced [pjɛʁ mɔ̃.tø]; 4 April 1875 – 1 July 1964) [n 1] was a French (later American) conductor. After violin and viola studies, and a decade as an orchestral player and occasional conductor, he began to receive regular conducting engagements in ...
Stravinsky conducting in 1965. Movements is a 1959 five-movement work for piano and orchestra by Igor Stravinsky lasting about ten minutes. It was written during his serial period [1] and shows his dedication to that idiom as well as the influence of Anton Webern.
And that too was highly appropriate in symbolic application to Mr. Monteux's career. [13] Robert Craft conducted it on May 22, 1955, [14] at the Ojai Music Festival, where it was also received warmly by audiences and critics. [15] [16] Programs celebrating Stravinsky's 80th birthday in 1962 included performances of the Greeting Prelude.
The "Canon on a Russian Popular Tune" (or "Canon for Concert Introduction or Encore") [1] [2] is an orchestral work by Igor Stravinsky composed in 1965. It is the composer's final completed score for orchestra and was composed in the summer of 1965 during work on his Requiem Canticles .
This is a sound and video discography of Igor Stravinsky's ballet The Rite of Spring. The work was premiered in Paris on May 29, 1913 at the Théâtre des Champs-Élysées . It was presented by Sergei Diaghilev 's Ballets Russes with choreography by Vaslav Nijinsky and was conducted by Pierre Monteux .
Stravinsky is widely regarded as one of the greatest composers of the 20th century. [193] [270] In 1998, Time magazine listed him as one of the 100 most influential people of the century. [271] Stravinsky was not only recognized for his composing; he also achieved fame as a pianist and as a conductor.
Stravinsky designed the Capriccio to be a virtuosic vehicle which would allow him to earn a living from playing the piano part. The Capriccio, together with the Concerto for Piano and Wind Instruments , belonged to a catalogue of breadwinning pieces which Stravinsky composed to support himself after fleeing the Russian Revolution to live in ...