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The adagio sostenuto tempo has made a powerful impression on many listeners; for instance, Berlioz commented that it "is one of those poems that human language does not know how to qualify". [23] Beethoven's student Carl Czerny called it "a nocturnal scene, in which a mournful ghostly voice sounds from the distance". [1]
The first movement, marked Adagio sostenuto ed espressivo, begins with a G minor chord and the piano descending in a dotted scalar pattern. The cello starts a melodic theme in measure five, and the piano modulates to E♭ major in measure seven. The two instruments are in canon in measure 10. [2]
Ludwig van Beethoven's Piano Sonata No. 2 in A major, Op. 2, No. 2, was written in 1795 and dedicated to Joseph Haydn. It was published simultaneously with his first and third sonatas in 1796 . Donald Francis Tovey wrote, "The second sonata is flawless in execution and entirely beyond the range of Haydn and Mozart in harmonic and dramatic ...
Symphony No. 9 in D Minor, Op. 125, III: Adagio molto e cantabile / Beethoven; Rhapsody on a Theme of Paganini, Op. 43, Variation XVIII: Andante cantabile / Sergei Rachmaninov; Piano Sonata No. 14 in C♯ Minor, Op 27, No. 2 "Moonlight", I: Adagio sostenuto / Beethoven; Piano Sonata No. 8 in C Minor, Op. 13 "Pathetique", II: Adagio cantabile ...
"No. 2, in G minor; Allegro" from Six Bagatelles, Op. 126 "No. 7, in A-Flat major; Presto" from Seven Bagatelles, Op. 33; Sonata No. 14 in C-sharp minor, Op. 27, No. 2 "Moonlight" "I. Adagio sostenuto" "II. Allegretto" "III. Presto agitato" Various Variations (from 15 "Eroica" Variations, Op. 35) Introduzione col Basso del Tema; A due; A tre; A ...
Remo Giazotto – Adagio in G minor for Strings and Organ (after T. Albinoni) Wolfgang Amadeus Mozart – Serenade No. 13 in G major, K. 525, "Eine kleine Nachtmusik": I. Allegro; Gioachino Rossini – The Barber of Seville: Overture; Ludwig van Beethoven – Piano Sonata No. 14 in C-sharp minor, op. 27:2, "Moonlight Sonata": Adagio sostenuto
Adagio sostenuto – Presto (A major – A minor, sonata form, about 15 minutes in length) The sonata opens with a slow 18-bar introduction, of which only the first four bars of the solo violin are in the A-Major-key.
Adagio sostenuto [ edit ] The ternary-form slow movement, centred on F ♯ minor, has been called, among other things, a "mausoleum of collective sorrow", [ 15 ] and is notable for its ethereality and great length as a slow movement (e.g. Wilhelm Kempff played for approximately 16 minutes and Christoph Eschenbach 25 minutes) that finally ends ...
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