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"Naima" (/ n aɪ ˈ iː m ə / ny-EE-mə) is a jazz ballad composed by John Coltrane in 1959 that he named after his then-wife, Juanita Naima Grubbs. Coltrane first recorded it for his 1959 album Giant Steps , and it became one of his first well-known works.
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
Coltrane's wife Naima named the song "Equinox". [3] The equinox occurs twice a year, when the tilt of the Earth's axis is inclined neither away from nor towards the Sun. Coltrane was born September 23, 1926, that year's official autumn equinox. The release of "Equinox" was delayed until 1964, when Atlantic issued Coltrane's Sound. Before ...
Giant Steps is a studio album by the jazz musician John Coltrane.It was released in February 1960 through Atlantic Records. [1] [2] [4] This was Coltrane's first album as leader for the label, with which he had signed a new contract the previous year.
Over the Rainbow is an album by New York Unit, consisting of tenor saxophonist Pharoah Sanders, pianist John Hicks, bassist Richard Davis, and drummer Tatsuya Nakamura which was recorded in 1992 and initially released in Japan. [1] [2] It was also released with the title Naima on Evidence in 1995.
The "sheets of sound" approach can be heard as early as the 1957 collaboration with Monk in solos like the one on "Trinkle, Tinkle" from the album Thelonious Monk with John Coltrane. [4] Coltrane's live performance of "If I Were a Bell" with the Miles Davis sextet on September 9, 1958, well exemplifies his use of the "sheets of sound" during ...
Live in Stockholm 1961 is an album by featuring live performances by jazz musician John Coltrane recorded in November 1961 at the ... "Naima" – 4:00 "Impressions ...
Ballads is a jazz album by John Coltrane released in January 1963 by Impulse! Records. [1] [2] It was recorded in December 1961 and 1962, and released with catalogue number A-32 (mono) and AS-32 (stereo). Critic Gene Lees stated that the quartet had never played the tunes before. "They arrived with music-store sheet music of the songs" and just ...
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