Search results
Results from the WOW.Com Content Network
This is a list of jazz musicians by instrument based on existing articles on Wikipedia. Do not enter names that lack articles. Do not enter names that lack articles. Do not enter names that lack sources.
The first black American to host her own TV show, The Hazel Scott Show Hazel Dorothy Scott (June 11, 1920 – October 2, 1981) was a Trinidadian jazz and classical pianist and singer. She was an outspoken critic of racial discrimination and segregation .
Jazz Party (TV series) Jazz Scene USA; S. The Sound of Jazz; Stars of Jazz; The Subject is Jazz; Z. ... This page was last edited on 18 April 2020, at 04:39 (UTC).
Charles Burrell (born October 4, 1920) is an American classical and jazz bass player most prominently known for being the first African-American to be a member of a major American symphony (the Denver Symphony Orchestra, now known as the Colorado Symphony). For this accomplishment he is often referred to as "the Jackie Robinson of Classical Music".
In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. [5] In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn. [5]
Pages in category "Television episodes set in the 1920s" The following 36 pages are in this category, out of 36 total. This list may not reflect recent changes. A.
Seven Dials Mystery (upcoming TV series) Sexton Blake and the Demon God; Silver Spoon, Sterling Shackles; Song of the Bandits; The Stars Look Down (TV serial) Stories by Rabindranath Tagore; The Story of Pollyanna, Girl of Love; A Sucessora (TV series) Sugar and Spice (Australian TV series)
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).