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Asian horror films are horror, thriller and suspense films made in Asian countries, including Thailand, Hong Kong, Singapore, Malaysia, India, Indonesia and the Philippines, that generally follow the conventions of J-Horror and K-Horror .
Ghost Train (2006 film) Ghost-Cat of Arima Palace; Ghost-Cat of Gojusan-Tsugi; Ghost-Cat Wall of Hatred; God's Left Hand, Devil's Right Hand; Godzilla (1954 film) Godzilla Minus One; Gozu; Grotesque (2009 film) The Guard from Underground; Guinea Pig (film series) Guinea Pig 2: Flower of Flesh and Blood; Guinea Pig: Devil's Experiment; Gurozuka
One of the first major Japanese horror films was Onibaba (1964), directed by Kaneto Shindo. [10] The film is categorized as a historical horror drama where a woman and her mother-in-law attempt to survive during a civil war. [10] Like many early Japanese horror films, elements are drawn largely from traditional Kabuki and Noh theater. [9]
Horror films in Asia have been noted as being inspired by national, cultural or religious folklore, particularly beliefs in ghosts or spirits. [1] In Asian Horror, Andy Richards writes that there is a "widespread and engrained acceptance of supernatural forces" in many Asian cultures, and suggests this is related to animist, pantheist and karmic religious traditions, as in Buddhism and Shintoism.
The film's reception has changed to become more positive over time, with many fans and critics now frequently listing it as one of the greatest Japanese horror films ever made. [16] [17] Some critics have identified loose connections between the story in the film and the traditional Japanese folktale Yotsuya Kaidan. [18]
The film was released in Japan in 2005. [4] Since its release, distribution of the film outside of Japan has been limited. [4] On June 1, 2017, it was made available for streaming in Canada on the video on demand service Shudder. [5] The film is to be released on Blu-ray through Arrow Video as part of their J-Horror Rising Box set on October ...
Chicago Sun-Times critic Roger Ebert praised the film by giving it 3½ stars out of 4, describing the films as "deeply, profoundly creepy", and he attributed their qualities to the works of famous horror writers Edgar Allan Poe, H. P. Lovecraft and Stephen King. [5]
The film opened to very strong commercial and critical reception and won Best Picture at the 2004 Fantasporto Film Festival. [4] It is the highest-grossing South Korean horror film and the first South Korean picture to be screened in American theatres. [5] An English-language remake titled The Uninvited was released in 2009 to mixed reviews.