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Ethnochoreology (also dance ethnology, dance anthropology) is the study of dance through the application of a number of disciplines such as anthropology, musicology, ethnomusicology, and ethnography. The word itself is relatively recent and etymologically means "the study of ethnic dance ", though this is not exclusive of research on more ...
The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os.This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively.
The United States of America is the home of the hip hop dance, swing, tap dance and its derivative Rock and Roll, and modern square dance (associated with the United States of America due to its historic development in that country—twenty three U.S. states have designated it as their official state dance or official folk dance) and one of the major centers for modern dance.
"African American Cultural Dance" was a description coined by National Dance Association author and researcher Frank R. Ross, who correctly replaced the old stereotyped "vernacular" (native or natural) definition of African-American dance with its correct definition as "cultural" (sanctioned by the National Dance Association and International ...
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin .
Chautauqua (/ ʃ ə ˈ t ɔː k w ə / shə-TAW-kwə) is an adult education and social movement in the United States that peaked in popularity in the late 19th and early 20th centuries. Chautauqua assemblies expanded and spread throughout rural America until the mid-1920s.
Also, the term "kinesthetic" is the right term to help understanding how dance makes communication, and it means recognition of movement of one's own body, this word is a combination of two words (Greek: kinein "to move", aesthesis "perception"). So dance moves and background sounds play a big role too.
The definition of the field has become more refined over the years. Early on, ethnohistory differed from history proper in that it added a new dimension, specifically "the critical use of ethnological concepts and materials in the examination and use of historical source material," as described by William N. Fenton. [12]