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Nishiki-e (錦絵, "brocade picture") is a type of Japanese multi-coloured woodblock printing; the technique is used primarily in ukiyo-e. It was invented in the 1760s, and perfected and popularized by the printmaker Suzuki Harunobu , who produced many nishiki-e prints between 1765 and his death five years later.
Nurioke no bosetsu, colour nishiki-e print, 1766. Zashiki Hakkei (Japanese: 坐敷八景, [a] "Eight Parlour Views") is a series of eight prints from 1766 [2] by the Japanese ukiyo-e artist Suzuki Harunobu. They were the first full-colour nishiki-e prints and are considered representative
These Nishiki models, though manufactured outside Japan (e.g., in Taiwan, by Giant Bicycles and possibly in Italy by Colnago, Olmo or Viner) often carried the name Nashiki and some of the same model names as had been used on the Kuwahara-built bicycles. [7] The brand name Nishiki was retired by Derby in 2001 in North America. [8]
Shunga, as a subset of ukiyo-e, was enjoyed by all social groups in the Edo period, despite being out of favor with the shogunate. The ukiyo-e movement sought to idealize contemporary urban living and appeal to the new chōnin class. Shunga followed the aesthetics of everyday life and widely varied in its depictions of sexuality.
His restrained, graceful prints invoked the classicism of waka poetry and Yamato-e painting. The prolific Harunobu was the dominant ukiyo-e artist of his time. [47] The success of Harunobu's colourful nishiki-e from 1765 on led to a steep decline in demand for the limited palettes of benizuri-e and urushi-e, as well as hand-coloured prints. [45]
After the mid-18th century, full-colour nishiki-e prints became common, printed with a large number of woodblocks, one for each colour. [3] Critics have come to see the late 18th century as a peak period in the general quality of the work. [4] Shunshō of the Katsukawa school introduced the ōkubi-e "large-headed picture" in the 1760s. [5]
Sometimes, printers rubbed the colorants into the papers with horizontal or vertical strokes rather than the traditional circular motions used in nishiki-e." [1] The first nagasaki-e prints were made in the late 1720s. "The range of subject matter was wide, including foreign couples, children, families, pets, exotic birds and animals, female ...
Fujin Tomari-kyaku no Zu Sanmai-tsuzuki (婦人泊り客之図三枚続, "Triptych Picture of Women Overnight Guests", c. 1794–1795) is a triptych print by the Japanese ukiyo-e artist Kitagawa Utamaro (c. 1753 –1806). It depicts a group of women within a mosquito net preparing for an overnight visit.