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Philosophical realism—usually not treated as a position of its own but as a stance towards other subject matters— is the view that a certain kind of thing (ranging widely from abstract objects like numbers to moral statements to the physical world itself) has mind-independent existence, i.e. that it exists even in the absence of any mind perceiving it or that its existence is not just a ...
Ethnographic realism, either a descriptive word, i.e. of or relating to the first-hand participant-observation practices of ethnographers, or a writing style or genre that narrates in a similar fashion. Legal realism, the view that jurisprudence should emulate the methods of natural science, i.e., rely on empirical evidence
When used as an adjective, "realistic" (usually related to visual appearance) distinguishes itself from "realist" art that concerns subject matter. Similarly, the term "illusionistic" might be used when referring to the accurate rendering of visual appearances in a composition.
It included realistic – sometimes sordid or violent – depictions of contemporary everyday life, especially the life of the lower classes. In France in addition to melodramas , popular and bourgeois theater in the mid-century turned to realism in the "well-made" bourgeois farces of Eugène Marin Labiche and the moral dramas of Émile Augier .
Direct realism, also known as naïve realism, argues we perceive the world directly. In the philosophy of perception and philosophy of mind, direct or naïve realism, as opposed to indirect or representational realism, are differing models that describe the nature of conscious experiences; [1] [2] out of the metaphysical question of whether the world we see around us is the real world itself ...
Verisimilitude at this time also became connected to another Aristotelian dramatic principle, decorum: the realistic union of style and subject. Poetic language of characters in a work of fiction as a result had to be appropriate in terms of the age, gender or race of the character.
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James Abbott McNeill Whistler, Nocturne: Blue and Gold – Old Battersea Bridge (1872), Tate Britain, London, England. Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. [1]