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Jefferson Airplane became one of the most popular bands in the country and earned a position for Slick as one of the most prominent female rock musicians of her time. In 1968, Slick performed "Crown of Creation" on The Smothers Brothers Comedy Hour in blackface and ended the performance with a Black Panther raised fist. [15]
Jefferson Airplane was formed in mid-1965 by vocalist and guitarist Marty Balin.He selected rhythm guitarist and vocalist Paul Kantner, to join the band, the two men then recruited the remaining initial members: vocalist Signe Toly Anderson, lead guitarist and vocalist Jorma Kaukonen, double bassist Bob Harvey and drummer Jerry Peloquin. [4]
Toly was a locally-known and well-respected jazz and folk singer in San Francisco, where Marty Balin heard her perform and invited her to join his band, soon named Jefferson Airplane. [ 2 ] Soon after joining the Airplane, Signe married one of the Merry Pranksters , Jerry Anderson; the marriage lasted from 1965 to 1974.
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Jefferson Airplane was an American rock band formed in San Francisco, California, ... [16] [19] Both Kantner and Balin wanted the group to have a female singer. [19]
"White Rabbit" was written and performed by Grace Slick while she was still with her previous band, the Great Society.Slick then left the Great Society to join Jefferson Airplane to replace their departing female singer, Signe Toly Anderson (who left the band to give birth to her child).
The group initially featured the five remaining members of Jefferson Airplane, Grace Slick (vocals, piano), Paul Kantner (rhythm guitar, vocals), David Freiberg (bass, keyboards, vocals), Papa John Creach (violin), and John Barbata (drums, vocals); in addition to new members Craig Chaquico on lead guitar and Peter Kaukonen (brother of Jorma Kaukonen) on bass. [1]
When Grace Slick departed to join Jefferson Airplane, she took this song with her, bringing it to the Surrealistic Pillow sessions, [5] along with her own composition "White Rabbit". Subsequently, the Airplane's more ferocious rock-and-roll version became the band's first and biggest success, reaching No. 5 on the Billboard Hot 100. [5]
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