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Espasa-Calpe was a Spanish publisher which existed during the 20th century. It was created in 1925, [ 1 ] by the union of Editorial Calpe, founded by Nicolás María de Urgoiti in 1918, [ 2 ] and Editorial Espasa, founded by José and Pau Espasa i Anguera in 1860.
The Enciclopedia universal ilustrada europeo-americana (also called Enciclopedia Espasa, or Enciclopedia Espasa-Calpe, after its publisher, founded by José Espasa Anguera) is a Spanish encyclopedia. It comprises 72 volumes (numbered from 1 to 70, with parts 18 and 28 consisting of two volumes each) published from 1908 to 1930 plus a ten-volume ...
The magnitude of this enterprise eventually overwhelmed the publishing house and in 1925 they associated with Calpe; the head offices were moved to Madrid, and the direction of the company was given to José Ortega y Gasset. [1] Espasa's legacy lives on today as the Espasa-Calpe publishing house—a major publisher of Spanish reference books.
Beatriz Doumerc de Barnes (Buenos Aires, Argentina, 1929 – Barcelona, Spain, March 26, 2014) was an Argentine writer of children's literature. [1] [2] Her book, La línea (Buenos Aires, Granica, 1975), illustrated by her husband, Ayax "Pacho" Barnes, was awarded the Casa de las Américas Prize in 1975.
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Consider, for example, the following paragraph, taken from the Gramática esencial del español, by Manuel Seco (Espasa Calpe, 1989), and compare it to the literal Portuguese translation below, noting lexical similarities and differences of word order:
Autor, José Camón Aznar. Editorial Espasa Calpe S.A. Madrid 1977; La pintura en el barroco José Luis Morales y Marín Espasa Calpe S.A. 1998. ISBN 84-239-8627-6; Museo del Prado. Pintura española de los siglos XVI y XVII, Enrique Lafuente Ferrari Aguilar S.A. 1964
Testo Junkie (published in English with the subtitle Sex, Drugs, and Biopolitics in The Pharmacopornographic Era) is a book of autotheory, [1] by contemporary writer and philosopher Paul B. Preciado, first published in Spanish in 2008 (Testo yonqui / Espasa Calpe), then in English in 2013 by The Feminist Press, translated by Bruce Benderson. [2]