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Odia literature is literature written in the Odia language, mostly from the Indian state of Odisha. The modern Odia language is mostly formed from Tadbhava words with significant Sanskrit (Tatsama) influences, along with loanwords from Desaja, English , Hindustani (Hindi/Urdu), Persian , and Arabic .
Odia children's literature' has a long history. Its roots are in Moukhika Sishu Sahitya, which is a part of the Loka Sahitya meant for children. As its development started after modern education was implemented, Odia children's literature is divided into two categories, Odia Moukhika children's literature and Odia written children's literature.
Chautisa or Chautisha (Odia: ଚଉତିଶା) is a genre of literary composition in Indian literature. It was popular form of writing in medieval Indian poetry. It is a form of constrained writing where each verse begins with consecutive letters of the alphabet, typically starting with the first consonant. The word 'Chautisa' means thirty ...
Chittaranjan Das, popularly known as Chitta Bhai or Chitbhai (3 October 1923 – 16 January 2011), [1] was an Indian writer, translator, critic, and social reformer from Orissa.
Sitadevi Khadanga (1902–1983) was an Odia dramatist, novelist, poet and translator from Odisha, India. Her writings mostly set in rural Odisha which depicts social problems of the area in the 20th-century. Her contribution to Odia poetry is considered to be a landmark in Odia literature.
The President of India inaugurating the book Classical Odia. Dr. Subrat Kumar Prusty was born the third son of Late Rajkishore Prusty and Indumati Prusty in the village of Bidyadharpur, near Jajpur Town, the oldest capital of Odisha situated on the banks of Budha, a tributary of the Holy Baitarani.
Chha Maana Atha Guntha (Odia: ଛ ମାଣ ଆଠ ଗୁଣ୍ଠ, transl. Six Acres and a Third) is a 19th-century Indian novel in the Odia language by Fakir Mohan Senapati (1843–1918), published in an English language translation by the University of California Press.
Dasa wrote the Odia Bhagabata. It had a great influence in the standardizing of the Odia language. Its popularity in Odisha reached to the level of it being worshiped in many homes. The villages in Odisha used to have a small house or room known as the bhagabata tungi, where villagers would gather to listen to recitations of Dasa's Bhagabata.