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The National Museum of Ireland – Archaeology (Irish: Ard-Mhúsaem na hÉireann – Seandálaíocht, often known as the "NMI") is a branch of the National Museum of Ireland located on Kildare Street in Dublin, Ireland, that specialises in Irish and other antiquities dating from the Stone Age to the Late Middle Ages
National Museum of Ireland – Archaeology, Kildare Street. The Science and Art Museum was established in 1877, becoming the National Museum of Science and Art in 1900, and the National Museum of Ireland after independence. It also included the collection of the Museum of Irish Industry, which had been founded in 1847. [5]
The National Library of Ireland and the Archaeology branch of the National Museum of Ireland [4] are located on either side of the Leinster House and were built in 1885. [ 2 ] The 1935 Department of Industry and Commerce government buildings are a rare and largely unaltered Art Deco public building.
The museum mounted its first exhibition on the Easter Rising in 1932 in Kildare Street, with objects that would form the centre of what would become known as the Easter Week Collection. This was the museum's first contemporary and thematic collection, and this remained an active area of collecting for a large part of the 20th century.
National Museum of Ireland, Kildare Street, Dublin: Identification: Shrine: NMI, R4011 [2] The bell and shrine on display. The Shrine of St. Patrick's Bell is a bell ...
National Museum of Ireland – Archaeology, Kildare Street, Dublin. An Insular crozier is a type of processional bishop's staff [1] produced in Ireland and Scotland between 800 and 1200. Such items can be distinguished from mainland European types by their curved and open crooks, and drop (that is, the hollow box-like extension at the end of ...
National Museum of Ireland, Kildare Street, Dublin The Tully Lough Cross is an 8th- or 9th-century Irish altar or processional cross discovered in 1986 at the bottom of Tully Lough, County Roscommon .
A carving of billiard-playing monkeys in the Kildare Street Club. In 1851, he became a partner along with Benjamin Woodward.Their work was primarily a Gothic style influenced by the principles of John Ruskin, and included the museum at Trinity College, Dublin, the Oxford University Museum of Natural History, the Pitt Rivers Museum, [5] the Kildare Street Club in Dublin, and Queen's College ...