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The most famous jazz versions were recorded by Benny Goodman in 1936 and 1947. [91] Fletcher Henderson played it in 1934 in the Harlem Opera House as the "national anthem of Harlem". [92] "Softly, As in a Morning Sunrise" [46] [93] is a song from the Broadway show The New Moon, composed by Sigmund Romberg with lyrics by Oscar Hammerstein II.
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
This is a list of jazz musicians by instrument based on existing articles on Wikipedia. Do not enter names that lack articles. ... (1920–2010) [1] Banjo. Double ...
A widespread revival of interest in the 1940s in the traditional jazz of the 1920s made it possible for Armstrong to consider a return to the small-group musical style of his youth. Armstrong was featured as a guest artist with Lionel Hampton's band at the famed second Cavalcade of Jazz concert held at Wrigley Field in Los Angeles, produced by ...
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, bandleader, and composer. [1] [2] Parker was a highly influential soloist and leading figure in the development of bebop, [3] a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies.
Leon Bismark "Bix" Beiderbecke (/ ˈ b aɪ d ər b ɛ k / BY-dər-bek; [1] March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like ...
From 1919, Kid Ory's Original Creole Jazz Band of musicians from New Orleans played in San Francisco and Los Angeles, where in 1922 they became the first black jazz band of New Orleans origin to make recordings. [30] The year also saw the first recording by Bessie Smith, the most famous of the 1920s blues singers.
Oliver performed mostly on cornet, but like many cornetists he switched to trumpet in the late 1920s. He credited jazz pioneer Buddy Bolden as an early influence, and in turn was a major influence on numerous younger cornet/trumpet players in New Orleans and Chicago, including Tommy Ladnier, Paul Mares, Muggsy Spanier, Johnny Wiggs, Frank ...