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In order for artwork to appear in film or television, filmmakers must go through a process of acquiring permission from artists, their estates or whoever the owner of the photographic rights may be, lest they become embroiled in a potential lawsuit, such as was the case for Warner Bros. with sculptor Frederick Hart following the reproduction of his piece Ex Nihilo in Devil's Advocate, as well ...
Usually, mattes are used to combine a foreground image (e.g. actors on a set) with a background image (e.g. a scenic vista or a starfield with planets). In this case, the matte is the background painting. In film and stage, mattes can be physically huge sections of painted canvas, portraying large scenic expanses of landscapes.
Traditional matte painting is older than the movie camera itself and has been already practiced in the early years of photography to create painted elements in photographs. With the advantages of the digital age, matte painters have slowly transitioned to a digital work environment, using pressure-sensitive pens and graphic tablets in ...
This category lists pages related to the animation technique of background artists, stylists or painters, including well known background artists in animation. Pages in category "Background artists" The following 37 pages are in this category, out of 37 total.
A background artist or sometimes called a background stylist or background painter is one who is involved in the process of animation who establishes the color, style, and mood of a scene drawn by an animation layout artist. The methods used can either be through traditional painting or by digital media such as Adobe Photoshop.
The current process, termed "digital ink and paint", is the same as traditional ink and paint until after the animation drawings are completed; [8] instead of being transferred to cels, the animators' drawings are either scanned into a computer or drawn directly onto a computer monitor via graphics tablets, where they are colored and processed ...
The painted background; The foreground; Taxidermy specimens [34] [35] Preparations for the background begin in the field, [35] where an artist takes photographs and sketches references pieces. Once back at the museum, the artist has to depict the scenery with as much realism as possible. [34]
For example, prosthetic makeup can be used to make an actor look like a non-human creature. Optical effects (also called photographic effects) are techniques in which images or film frames are created photographically, either "in-camera" using multiple exposures , mattes , or the Schüfftan process or in post-production using an optical printer .
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