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By convention, story plots are written in the narrative present—that is, in the present tense, matching the way that the story is experienced. [3] Provide a comprehensive plot summary. For articles that do not have a dedicated cast section, as key characters are introduced in the plot of a film or play with a known cast, list the actors ...
The motif-index and the ATU indices are regarded as standard tools in the study of folklore. For example, folklorist Mary Beth Stein said that, "Together with Thompson's six-volume Motif-Index of Folk-Literature, with which it is cross-indexed, The Types of Folktale constitutes the most important reference work and research tool for comparative folk-tale analysis. [1]
A PDF page description can use a matrix to scale, rotate, or skew graphical elements. A key concept in PDF is that of the graphics state, which is a collection of graphical parameters that may be changed, saved, and restored by a page description. PDF has (as of version 2.0) 25 graphics state properties, of which some of the most important are:
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
A narrative motif can be created through the use of imagery, structural components, language, and other elements throughout literature. The flute in Arthur Miller 's play Death of a Salesman is a recurrent sound motif that conveys rural and idyllic notions.
Ramayana, Odyssey (), Alice's Adventures in Wonderland (Lewis Carroll), "Goldilocks and the Three Bears", Orpheus, The Time Machine (), Peter Rabbit (Beatrix Potter), The Hobbit (J.R.R. Tolkien), Brideshead Revisited (Evelyn Waugh), "The Rime of the Ancient Mariner" (Samuel Taylor Coleridge), Gone with the Wind (Margaret Mitchell), The Third Man, The Lion King, Back to the Future, The Lion ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Elements of the oral storytelling art form often include the tellers encouragement to have participants co-create an experience by connecting to relatable elements of the story and using techniques of visualization (the seeing of images in the mind's eye), and use vocal and bodily gestures to support understanding.
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