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In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art.
The term formalism describes an emphasis on form over content or meaning in the arts, literature, or philosophy.A practitioner of formalism is called a formalist.A formalist, with respect to some discipline, holds that there is no transcendent meaning to that discipline other than the literal content created by a practitioner.
Soon after Bell met Roger Fry, he developed his art theory significant form.The two shared a passion for contemporary French art. Bell's book Art (1914) was the first publication of his theory, which he describes as "lines and colours combined in a particular way, certain forms, and relations of forms, that stir our aesthetic emotions."
Giovanni Morelli. Giovanni Morelli (25 February 1816 – 28 February 1891) was an Italian art critic and political figure. [1] As an art historian, he developed the "Morellian" technique of scholarship, identifying the characteristic "hands" of painters through scrutiny of diagnostic minor details that revealed artists' scarcely conscious shorthand and conventions for portraying, for example ...
Sir Herbert Edward Read, DSO, MC (/ r iː d /; 4 December 1893 – 12 June 1968) was an English art historian, poet, literary critic and philosopher, best known for numerous books on art, which included influential volumes on the role of art in education.
Formalism may refer to: Legal formalism, legal positivist view that the substantive justice of a law is a question for the legislature rather than the judiciary; Formalism (linguistics) Scientific formalism; Formalism (philosophy), that there is no transcendent meaning to a discipline other than the literal content created by a practitioner
Benjamin Buchloh giving a lecture at Columbia University in 1995. Benjamin Heinz-Dieter Buchloh (born November 15, 1941) is a German art historian. Between 2005 and 2021 he was the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University.
A further decree on music was issued on 20 February 1948, "On Muradeli's Opera The Great Friendship" and marked the beginning of the so-called "anti-formalism campaign". [3] The term " formalism " referred to art for art's sake which did not serve a larger social purpose.)