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Aria for soprano and orchestra: Metastasio Demofoonte, II, 6: 1770 88: 73c "Fra cento affanni e cento" (Score/Crit. report) Aria for soprano and orchestra: Metastasio, Artaserse I,2: 1770 119: 382h "Der Liebe himmlisches Gefühl" (Score/Crit. report) Aria for soprano and orchestra (piano reduction) This is possibly (Kunze) the aria for Gretl ...
Der Hölle Rache kocht in meinem Herzen" ("Hell's vengeance boils in my heart"), commonly abbreviated "Der Hölle Rache", is an aria sung by the Queen of the Night, a coloratura soprano part, in the second act of Mozart's opera The Magic Flute (Die Zauberflöte). It depicts a fit of vengeful rage in which the Queen of the Night places a knife ...
The aria is inserted at the end of act 1, scene 6, where Marchese Calandro wants to test his bride's Clorinda's fidelity – six and a half years later, in 1790, this was a central theme in Mozart's opera Così fan tutte. Calandro persuades his friend, Count di Ripaverde, to court Clorinda.
Rivolgete a lui lo sguardo", K. 584, is a concert aria by Wolfgang Amadeus Mozart for solo bass and orchestra conceived for the role of Guglielmo the opera Così fan tutte but replaced by "Non siate ritrosi". [1] It is considered one of the outstanding opera buffa arias for the bass voice. [2] [3] The text of this aria is by Lorenzo Da Ponte.
Among the more well-known of Mozart's concert arias are: "Popoli di Tessaglia!", K. 316, for soprano, with its two famous G 6 notes (i.e., the G above high C - according to the Guinness Book of Records, the highest musical note ever scored for the human voice) that come shortly before the end.
Madamina, il catalogo è questo" (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias. It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. [1]
Voi avete un cor fedele", K. 217, is a concert aria by Wolfgang Amadeus Mozart for solo soprano and orchestra, composed in Salzburg, dated 26 October 1775. Written around the time of the composition of Mozart's five violin concertos. In this aria, the character Dorina contemplates a new romantic partner.
Throughout Mozart's life, he wrote a large number of stand-alone arias and vocal ensembles. Most of these are concert arias , with some being alternative arias or ensembles to operas. His first work in this field was written in 1765 ("Va, dal furor portata") and the last in 1791 ("Io ti lascio, o cara, addio").
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