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The first step of the infringement analysis, copying-in-fact, includes determining that the defendant actually copied the work as a factual matter. [53] Because direct evidence of copying is rare, courts tend to permit evidence showing that (1) the defendant had access to the copyrighted work and so had the opportunity to copy the work and (2) a sufficient degree of similarity exists between ...
In 2022 Architecture + Women NZ with Massey University Press published Making Space: A History of New Zealand Women in Architecture. Edited by Elizabeth Cox and written by Cox and 30 other women architects, architectural historians and academics it makes visible the contributions to architecture in New Zealand of over 500 women. [99] [100]
Matrix led and took part in many events of the period, including Women and Space at the Architectural Association in 1979, ‘Women’s Realm’ (Feminist Architects’ Network, North London Polytechnic 1987) and Alterities, a major international conference in Paris on feminism and architecture in 1999. [11] Exhibitions of their work include:
In 1958, women made up only 1 percent of the AIA's registered architects, and by 1988, only 4 percent. But they've come a long way in the past 25 years, now comprising nearly a quarter of the AIA ...
In 1920, she married architect Irving F. Morrow, after which she used Gertrude Comfort Morrow as her professional name. In 1922 the Morrows' daughter was born, and around this time the couple set up the firm Morrow & Morrow and collaborated on many architectural projects between 1925 and 1940, in both San Francisco and the East Bay.
The purpose of the Archive is to document the history of women's involvement in architecture by acquiring, preserving, storing, and making available to researchers the professional papers of women architects, landscape architects, designers, architectural historians and critics, urban planners, and the records of women's architectural organizations.
Prior to this, she led the Architecture Research Program at the Royal College of Art in London until 2015 and the Masters in Architecture Program at Oxford Brookes from 2009-2015. Her scholarship principally concerns pioneering pedagogies in architectural education and confronts themes such as feminism; equity, decolonization, diversity and ...
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