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Dress forms of 1893. A dress form is a three-dimensional model of the human torso used for fitting clothing that is being designed or sewed.When making a piece of clothing, it can be put on the dress form so that one can see the fit and drape of the garment as it would appear on a body and make adjustments or alterations.
Mannequins in a clothing shop in Canada A mannequin in North India. A mannequin (sometimes spelled as manikin and also called a dummy, lay figure, or dress form) is a doll, often articulated, used by artists, tailors, dressmakers, window dressers and others, especially to display or fit clothing and show off different fabrics and textiles.
From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses. As a result, female bodies were often misrepresented. With the arrival of modernism in Chinese contemporary art, women now have more influences in the field of visual arts ...
Maria Lassnig - self portraits and paintings focused on body awareness; Aristide Maillol – early 20th century; Milo Manara – Italian comic book writer and artist; Alfons Mucha – art nouveau; Patrick Nagel – modern day; Alice Neel - depicts women through the female gaze; Michael Parkes – modern day; George Petty – pin up art
Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.
The Lost Art of Dress: The Women Who Once Made America Stylish. Basic Books. ISBN 978-0465066865. Steele, Valerie, Paris Fashion: a cultural history (second edition, revised and updated), Oxford: Berg, 1998, ISBN 978-1859739730; Steele, Valerie, Fifty Years of Fashion: new look to now, New Haven: Yale University Press, 2000, ISBN 978-0300087383
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Fujin Sōgaku Jittai (婦人相学十躰, "Ten physiognomies of women") and Fujo Ninsō Juppin (婦女人相十品, "Ten classes of women's physiognomy") are the titles of what may have been two series of ukiyo-e prints designed by the Japanese artist Utamaro and published c. 1792–93. Only five prints from one series and four from the other ...
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