Search results
Results from the WOW.Com Content Network
"Every Rose Has Its Thorn" is a power ballad [4] by American glam metal band Poison. It was released in October 1988 as the third single from Poison's second album Open Up and Say... Ahh!. The band's signature song, it is also their only number-one hit in the US, reaching number one on the Billboard Hot 100 on December 24, 1988, for three weeks ...
Yankovic set off to write the lengthy song, considering it as a final track for Running with Scissors. The long, meandering story was not expected to be popular and instead Yankovic wanted to compose a song "that's just going to annoy people for 12 minutes", making it feel like an "odyssey" for the listener after making it through to the end. [ 1 ]
"Cut the Cord" is a song by American rock band Shinedown. It was released on June 29, 2015 as the lead single from the band's fifth studio album, Threat to Survival. The song reached No. 1 on the Billboard Mainstream Rock chart, their ninth single to do so. It was featured as the official theme song of WWE’s Hell in a Cell (2015).
"A Strange Kind of Love" is a song by English musician Peter Murphy, from his third solo studio album, Deep (1989). Produced by Murphy himself and Simon Rogers, it was released as the third single off the album in 1990 through Beggars Banquet and RCA Records.
Amy Grant is regarded as the most successful contemporary Christian artist of all time.. But within her 40-year career and 30 million albums sold, she’s also morphed into a holiday staple. Her ...
"To make ‘Lift Every Voice and Sing’ a national hymn, would be an act of bringing the country together," he wrote. "The gesture itself would be an act of healing. Everybody can identify with ...
The song is composed in the key of A-flat major and is set in time signature of common time with a tempo of 76 beats per minute. Duncan's vocal range spans from F 3 to G 4. [8] The first five seconds of the intro are cut off of the recording by accident. [7]
"Death by a Thousand Cuts" was middling for the music commentary, usually receiving a complement over one of its parts in Lover tracks reviews. Commercially, it peaked at number 48 in Australia, 62 in Canada, and 67 in the United States. Swift debuted the track live as a country pop rendition during the one-off concert City of Lover.