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"Louder than Words" received generally positive reviews from music critics. Tom Breihan of Spin Media music webzine Stereogum wrote positively of the song, stating that "the song is a lovely piece of work, a slow prog-rock elegy with a gospel choir and some classic Floyd guitar". [1] Brad Bershad of Zumic also gave the song a positive review.
A talk box (also spelled talkbox and talk-box) is an effects unit that allows musicians to modify the sound of a musical instrument by shaping the frequency content of the sound and to apply speech sounds (in the same way as singing) onto the sounds of the instrument. Typically, a talk box directs sound from the instrument into the musician's ...
The most common device is a handheld, battery-operated device pressed against the skin under the mandible which produces vibrations to allow speech; [1] other variations include a device similar to the "talk box" electronic music device, which delivers the basis of the speech sound via a tube placed in the mouth. [2]
The book Perfecting Sound Forever: An Aural History of Recorded Music, by Greg Milner, presents the loudness war in radio and music production as a central theme. [13] The book Mastering Audio: The Art and the Science, by Bob Katz, includes chapters about the origins of the loudness war and another suggesting methods of combating the war.
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[47] Bert Saraco's otherwise positive review at The Phantom Tollbooth included a similar caveat: "Taken as the third piece of an excellent series of recent albums, The Loudest Sound Ever Heard is a masterful third movement of theme and subject matter, with music that reflects the somber thoughts laid out. It is, perhaps, not the place to start ...
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According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, "Lights" is written in the key of G ♯ minor with a moderate pop tempo of 120 beats per minute. Goulding's vocals span from F ♯ 3 to D ♯ 5 while the song follows a chord progression of G ♯ m−F ♯ −E−C ♯ m 7 . [ 12 ]