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Opinions of the album varied. The Allmusic review by Don Snowden awarded the album 1 1 ⁄ 2 stars, stating, "what an enormous let-down Music Speaks Louder Than Words is in terms of execution ... Ulmer sounds distracted and disinterested, his guitar lines all introverted thumb mumbles and musings played softer than his acoustic rhythm section ...
"Louder than Words" received generally positive reviews from music critics. Tom Breihan of Spin Media music webzine Stereogum wrote positively of the song, stating that "the song is a lovely piece of work, a slow prog-rock elegy with a gospel choir and some classic Floyd guitar". [1] Brad Bershad of Zumic also gave the song a positive review.
The book Perfecting Sound Forever: An Aural History of Recorded Music, by Greg Milner, presents the loudness war in radio and music production as a central theme. [13] The book Mastering Audio: The Art and the Science, by Bob Katz, includes chapters about the origins of the loudness war and another suggesting methods of combating the war.
Music Speaks Louder Than Words is an album released by Epic Records in 1990. [1] Overview. Artists such as Cyndi Lauper, Atlantic Starr, Roberta Flack, Patti ...
[47] Bert Saraco's otherwise positive review at The Phantom Tollbooth included a similar caveat: "Taken as the third piece of an excellent series of recent albums, The Loudest Sound Ever Heard is a masterful third movement of theme and subject matter, with music that reflects the somber thoughts laid out. It is, perhaps, not the place to start ...
The loudest band in the world is a subject of some dispute in musical circles. Many bands have claimed to be the loudest, measuring this in various ways including with decibel meters at concerts and by engineering analysis of the CDs on which their albums are published.
If you've been shopping in a big box retail store you've probably heard an announcement on the loudspeaker such as, "code yellow toys, code yellow toys." This "code" is one of many innocuous ...
Applied to music, it gives the sound of an antique acoustic gramophone record player. It has been used in radio advertisements and popular music to give retro and often humorous effects. A recorded voice or music can be processed to give it a "megaphone" sound effect without using an actual megaphone, by audio recording decks and software.