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"Bus Stop" gave the Hollies their first US top ten single. As a result, a US/Canadian Bus Stop album, made of the single mixed with unreleased songs from earlier in the band's career, climbed to No. 75—the group's first album to enter the US Top 100. Although Haydock ultimately proved to be correct about the fee dispute, he was sacked in ...
The Hollies' Greatest Hits is a compilation of singles by the Hollies, released on Epic Records in April 1973. It includes hit singles by the group on both the Epic and Imperial labels over a time span of 1965 to 1971. It spent seven weeks on the Billboard 200 charts, peaking at number 156.
"Bus Stop" is a song recorded and released as a single by the British rock band the Hollies in 1966. It reached No. 5 in the UK Singles Chart. [6] It was the Hollies' first US top ten hit, [7] reaching No. 5 on the Billboard charts in September 1966. In Canada the song reached No. 1 and was their second top ten hit there.
The Hollies' Greatest Hits was the first greatest hits collection by English pop group the Hollies. The album was released by Imperial Records in the US in May 1967 [ 1 ] and by Capitol Records in Canada, under the title The Hits of the Hollies and with two different tracks, in July 1967. [ 2 ]
The Hollies. The discography of British rock and pop band the Hollies consists of 21 studio albums, 24 compilation albums, two tribute/covers albums, seven extended plays, and 67 singles.
"Just One Look" is a song co-written by American R&B singers Doris Troy and Gregory Carroll. The recording by Doris Troy was a hit in 1963. The Hollies, Anne Murray, Linda Ronstadt and Iain Matthews each achieved great success with the song. There have also been many other versions.
Hollies' Greatest is the only number one album in the UK by British band the Hollies. It was released shortly before Graham Nash's departure from the Hollies and was intended to include all of their British hit singles with Nash, as well as filling in for the lack of an original LP by the group in 1968.
Bus Stop is the fourth U.S. album by the British pop band the Hollies, released on Imperial Records in mono (LP-9330) and rechanneled stereo (LP-12330) in October 1966. It features songs ranging from both sides of the band's then-current hit single to material recorded in the Hollies' early days on the UK's Parlophone Records in 1963, 1964 and 1965.