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Panchakanya, a pre-1945 lithograph from Ravi Varma Press.. The Panchakanya (Sanskrit: पञ्चकन्या, romanized: Pañcakanyā, lit. 'Five maidens') is a group of five iconic women of the Hindu epics, extolled in a hymn and whose names are believed to dispel sin when recited.
Hanuman (/ ˈ h ʌ n ʊ ˌ m ɑː n /; Sanskrit: हनुमान्, IAST: Hanumān), [5] also known as Maruti, Bajrangabali, and Anjaneya, [6] is a deity in Hinduism, revered as a divine vanara, and a devoted companion of the deity Rama. Central to the Ramayana, Hanuman is celebrated for his unwavering devotion to Rama and is considered a ...
Both Rama and Ravana were great to devotees of Shiva. Some versions of the epic also describe Hanuman as one of the avatars of Shiva. His wife is Parvati. Shrutakirti: The daughter of king Kushadhvaja and queen Chandrabhaga. She was a cousin of Sita and Urmila. She also had an elder sister Mandavi. [12]
A Hindu woman, with Sindur in her hair and Bindi on forehead, customs also found among women in Jainism [119] Usually, the sari consists of a piece of cloth around 6 yards long, wrapped distinctly based on the prior mentioned factors. [120] The choice of the quality and sophistication of the cloth is dependent on the income and affordability.
A number of Indian films have been made on Anjana. These include: Sati Anjani (1922) by Shree Nath Patankar, Sati Anjani (1932), Sati Anjani (1934) by Kanjibhai Rathod. [10] Anjana is also portrayed in several TV serials. They are: 1976: Portrayed by Durga Khote in the film Bajrangbali. 1997: Portrayed by Phalguni Parekh in Jai Hanuman.
Anjani (Anjana) with Child Hanuman - Bronze, Pallava Period, Mathura government museum, India. Hanuman is a vanara, born to Kesari and Anjana. Hanuman is also known as the celestial son of Vayu, the wind-god. [13] [14] His mother, Anjana, was an apsara who was born on earth due to a curse. She was redeemed from this curse upon giving birth to a ...
This is a non-diffusing subcategory of Category:Characters in Hindu mythology. It includes Characters in Hindu mythology that can also be found in the parent category, or in diffusing subcategories of the parent.
The three women also denote a challenge to Hanuman's celibacy. "Eroticism and Hanuman's dispassionate visual consumption of women as sexual objects" is a recurring theme in the epic. [12] According to J. C. Jhala, the Surasa encounter is a later interpolation to the Ramayana as it resembles the Simhika episode to a great extent.