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"William, It Was Really Nothing" is a song by the English rock band the Smiths. It was released as a single in August 1984, featuring the B-sides " Please, Please, Please, Let Me Get What I Want " and " How Soon Is Now? ", and reached No. 17 in the UK Singles Chart .
Throughout their career, their songs differed from the predominant synth-pop British sound of the early 1980s, [2] instead fusing together 1960s rock and post-punk. [9] In their early years, the band purposely rejected synthesisers and dance music, [10] until Meat Is Murder, which contained keyboards as well as rockabilly and funk influences. [11]
The lyrics to the song stayed the same; speaking on X, Emma said she first heard the cover by t.A.T.u in 2002 and she loves the line “I am human and I need to be loved just like everybody else does” and spoke about how it takes on another meaning when you put yourself in the public eye.
Johnny Marr wrote the music to "Please Please Please Let Me Get What I Want" shortly after its eventual A-side, "William, It Was Really Nothing".Marr commented, "Because that was such a fast, short, upbeat song, I wanted the B-side to be different, so I wrote 'Please Please Please Let Me Get What I Want' on Saturday in a different time signature—in a waltz time as a contrast". [9]
The Smiths' "non-rhythm-and-blues, whiter-than-white fusion of 1960s rock and post-punk was a repudiation of contemporary dance pop", [5] and the band purposely rejected synthesisers and dance music. [65] From their second album Meat Is Murder, Marr embellished their songs with keyboards. [64]
It should only contain pages that are The Smiths songs or lists of The Smiths songs, as well as subcategories containing those things (themselves set categories). Topics about The Smiths songs in general should be placed in relevant topic categories .
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Failing to find a replacement, the Smiths disbanded by the time of the release of their final studio album, Strangeways, Here We Come, in September that year. Strangeways, Here We Come climbed to number two in the UK and became the band's highest-charting release in the United States when it reached number 55 on the Billboard 200 .