Search results
Results from the WOW.Com Content Network
The Old English epic Beowulf, as well as most other Old English poetry, the Old High German Muspilli, the Old Saxon Heliand, the Old Norse Poetic Edda, and many Middle English poems such as Piers Plowman, Sir Gawain and the Green Knight, Layamon's Brut and the Alliterative Morte Arthur all use alliterative verse. [3] [4] [5] [6]
The Old English poetry which has received the most attention deals with what has been termed the Germanic heroic past. Scholars suggest that Old English heroic poetry was handed down orally from generation to generation. [42] As Christianity began to appear, re-tellers often recast the tales of Christianity into the older heroic stories.
Some of the most recent analysis proposes that the traditional four-stress model of both Old English and Middle English alliterative verse is a "misapprehension" [9] and that a focus on other apparent rules clarifies the evolution of the form, with Layamon's Brut emerging as a key text in the development of alliterative verse. [9]
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf , but the vast majority of Old English poetry belongs to the same tradition.
Alliteration is used in the alliterative verse of Old English poems like Beowulf, Middle English poems like Sir Gawain and the Green Knight, Old Norse works like the Poetic Edda, and in Old High German, Old Saxon, and Old Irish. [3] It was also used as an ornament to suggest connections between ideas in classical Latin, Greek, and Sanskrit poetry.
The Old English Consolation texts are known from three medieval manuscripts/fragments and an early modern copy: [2]. Oxford, Bodleian Library, MS Bodley 180 (known as MS B). Produced at the end of the eleventh century or the beginning of the twelfth), translating the whole of the Consolation (prose and verse) into pro
Judith contains many of the poetic techniques common to Old English poetry, including alliteration. The poem used the same kind of variation as do other Old English poems. An example is found in the description of God, who at various times is referred to as 'ælmihtigan' (the Almighty), 'mihtig Dryhten' (mighty Lord) and 'Scyppende' (Creator). [3]
Old English Poetry in Facsimile Project. Center for the History of Print and Digital Culture. Madison, 2019. Secondary literature. Dendle, P.J. Satan Unbound: the Devil in Old English Narrative. Liuzza, R.M. Lucas, P.J. "On the Incomplete Ending of Daniel and the Addition of Christ and Satan to MS Junius II." Anglia 97 (1979): 46–59.